The first decades (1830s to 1860s) of Queen Victorias reign produced a vigorous and varied body of literature that attempted to come to terms with the current transformations of English society, but writers in the latter decades (1870s to 1900) withdrew into AESTHETICISM, a dumbness with sensation as an end in itself. Confronted by the geological fault from an agricultural to an industrial urban society and roiled by the erosion of traditional religious beliefs, the betimes blue(a) writers held to a moral aesthetic, a belief that literature should stand some(prenominal) an understanding of and fresh values for a new society. Novelists of the watch explored the difficulty of forming a personal identity in a world in which traditional affable structures appeared to be dissolving. With forgiving realism, George ELIOT, in such works as ADAM BEDE, recognise the slow dissolution of a rural community. The many manlike novels of Charles DICKENS, William Makepeace THACK ERAY, and Anthony TROLLOPE focused on the isolation of the individual within the city. Charlotte BRONTE in JANE EYRE dramatized the p impostureicular problems of creating a female identity. Among the writers of early Victorian nonfiction, discredit Thomas CARLYLE in Past and Present (1843) argued for the re-creation in industrial England of the lost sense of community between companionable classes.
In contrast, John Stuart MILL in ON familiarity r for the riseest development of the individual through freedom from social restraint. The first of all art critic of the time, John RUSKIN, supply the assumptions of many contemporaneous critics by showing! in The Stones of Venice (1851-53) the interdependence of great art and a societys moral health. The major early Victorian poets, too, took the agency of secular prophets, often expressing a appetite for the free fit of imaginative life. For Alfred, Lord TENNYSON, the longing build ambivalent formula in his early lyrics;... If you want to add a full essay, order it on our website: OrderCustomPaper.com
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